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    <title>Institute of General Semantics upcoming events</title>
    <link>https://generalsemantics.org/Conferences-Symposia</link>
    <description>Institute of General Semantics upcoming events</description>
    <dc:creator>Institute of General Semantics</dc:creator>
    <generator>Wild Apricot - membership management software and more</generator>
    <language>en</language>
    <pubDate>Fri, 03 Apr 2026 17:47:03 GMT</pubDate>
    <lastBuildDate>Fri, 03 Apr 2026 17:47:03 GMT</lastBuildDate>
    <item>
      <pubDate>Sat, 25 Apr 2026 12:45:00 GMT</pubDate>
      <title>Discourse, Dialogue, and Democracy II Symposium (25 Apr 2026)</title>
      <description>&lt;p style="background-color: transparent; font-size: 19.3619px; line-height: 21px; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia" style="font-size: 18px;"&gt;&lt;font&gt;&lt;font color="#7A0026"&gt;Join us on Saturday, April 25th for &lt;strong&gt;Discourse,&lt;/strong&gt;&lt;/font&gt;&lt;font color="#790000"&gt;&lt;strong&gt;&lt;span&gt;&amp;nbsp;Dialogue, and Democracy II&lt;/span&gt;&lt;span style="color: rgb(122, 0, 38); font-family: Georgia;"&gt;:&lt;/span&gt;&lt;/strong&gt;&lt;/font&gt; &lt;strong style="color: rgb(122, 0, 38); font-family: Georgia;"&gt;An Online Symposium&lt;/strong&gt;&lt;font color="#790000"&gt;. As the title indicates, this is a continuation of the in-person&amp;nbsp;&lt;a href="https://generalsemantics.org/event-6146039" target="_blank"&gt;Discourse, Democracy, and Dialogue&lt;font&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;Symposium&lt;/span&gt;&lt;/span&gt;&lt;/font&gt;&lt;/a&gt;&lt;/font&gt;&lt;/font&gt;&lt;font color="#790000"&gt;&lt;span&gt;&amp;nbsp;held in conjunction with the 2025&amp;nbsp;&lt;/span&gt;&lt;strong style="font-family: Georgia;"&gt;&lt;a href="https://generalsemantics.org/event-6146039" target="_blank"&gt;Alfred Korzybski Memorial Lecture&lt;/a&gt;&lt;/strong&gt;&lt;span&gt;&amp;nbsp;in New York City.&amp;nbsp;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; font-size: 19.3619px; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia" style="font-size: 18px;"&gt;&lt;font color="#790000"&gt;&lt;span&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; font-size: 19.3619px; line-height: 21px; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;font face="Georgia" color="#7A0026" style="font-size: 18px;"&gt;Our online symposium is free and open to members and non-members alike, but registration is required. The symposium will be held via Zoom, with the information for signing on to be distributed in advance of the event. Please note that sessions will be recorded for later distribution online.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; font-size: 19.3619px; line-height: 21px; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;br&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; font-size: 19.3619px; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia" color="#7A0026" style="font-size: 18px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; font-size: 19.3619px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia" color="#7A0026" style="font-size: 18px;"&gt;&lt;img src="https://generalsemantics.org/resources/Pictures/simple%20logo.jpg" alt="" title="" border="0"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="background-color: transparent; font-size: 19.3619px; line-height: 28px; margin-bottom: 0px !important;"&gt;&lt;font color="#005B7F" face="Georgia, serif"&gt;&lt;font color="#005B7F" face="Georgia, serif" style="font-size: 24px;"&gt;&lt;strong&gt;Discourse,&lt;/strong&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="background-color: transparent; font-size: 19.3619px; line-height: 28px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#005B7F" face="Georgia, serif"&gt;&lt;font color="#005B7F" face="Georgia, serif" style="font-size: 24px;"&gt;&lt;strong&gt;Dialogue,&lt;/strong&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="background-color: transparent; font-size: 19.3619px; line-height: 28px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#005B7F" face="Georgia, serif"&gt;&lt;font color="#005B7F" face="Georgia, serif" style="font-size: 24px;"&gt;&lt;strong&gt;and Democracy II&lt;/strong&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="background-color: transparent; font-size: 19.3619px; line-height: 28px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#005B7F" face="Georgia, serif"&gt;&lt;font color="#005B7F" face="Georgia, serif" style="font-size: 24px;"&gt;&lt;strong&gt;An Online Symposium&lt;/strong&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="background-color: transparent; font-size: 19.3619px; line-height: 28px; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;font color="#005B7F" face="Georgia, serif"&gt;&lt;font color="#005B7F" face="Georgia, serif" style="font-size: 24px;"&gt;&lt;strong&gt;April 25th, 2026&lt;/strong&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="background-color: transparent; font-size: 19.3619px; line-height: 28px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;span style=""&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 28px;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style=""&gt;&lt;font color="#005B7F" face="Georgia, serif" style="font-size: 18px;"&gt;&lt;strong style=""&gt;All times listed are Eastern Daylight Savings Time&lt;/strong&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style=""&gt;&lt;strong style=""&gt;&lt;font color="#005B7F" face="Georgia, serif" style="font-size: 18px;"&gt;Greetings and Welcomings&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 8:45 AM to 9 AM&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;strong style="font-size: 18px; color: rgb(0, 0, 0); font-family: &amp;quot;Times New Roman&amp;quot;, serif;"&gt;&lt;font face="Georgia, serif"&gt;&amp;nbsp; Lance Strate&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif" style="color: rgb(0, 0, 0); font-size: 18px;"&gt;, Fordham University, USA&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" style="color: rgb(0, 0, 0); font-size: 18px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#005B7F" style="font-size: 18px;"&gt;&lt;strong&gt;Session I&amp;nbsp; New Semantic Environments&amp;nbsp; 9:00 AM to 10:15 AM&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp; Chair: &lt;strong&gt;Eva Berger&lt;/strong&gt;, College of Management Academic Studies, Israel&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#222222" face="Georgia, serif" style="font-size: 18px;"&gt;“From Screen Celebrity to Social Media Influencer: The Future of Celebrities as Social Media Influencers as AI Challenges Their Roles in Contemporary and Commercial Media Environments in 2026”&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong style=""&gt;&lt;font face="Georgia, serif" style=""&gt;&amp;nbsp; Renee Peterson&lt;/font&gt;&lt;/strong&gt;&lt;span style="background-color: transparent;"&gt;&lt;font face="Georgia, serif" style=""&gt;,&lt;/font&gt;&lt;/span&gt; &lt;span style="background-color: transparent;"&gt;&lt;span style=""&gt;&lt;font color="#0E101A" face="Georgia, serif"&gt;Royal Melbourne Institute of Technology, Australia&lt;/font&gt;&lt;/span&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“Movement, Vision and Feedback in AI Robotics”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;&amp;nbsp; Chris Chesher&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;, &lt;span style=""&gt;&lt;font color="#222222"&gt;University of Sydney, Australia&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“Time-Binding Democratic Sensibilities Through Literature: Exploring the Potential of Parrhesia, Dissent/Resistance and Creatical Interventions”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;&amp;nbsp; Bini Babu Sudha&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;, Nirma University, India&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif" style="font-size: 18px;"&gt;“Reading of Discourse as Semantic Reactions: A Working Paper”&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;&amp;nbsp; Pratiksha N. Chavada&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;, Shri M. P. Shah Arts &amp;amp; Science College, India&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif" style="font-size: 18px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Times New Roman, serif"&gt;&lt;span style=""&gt;&lt;font face="Georgia, serif" color="#005B7F" style="font-size: 18px;"&gt;&lt;strong style=""&gt;Session II&amp;nbsp; Words in Thought &amp;amp; Action&amp;nbsp; 10:30 AM to 11:45 AM&lt;/strong&gt;&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;&amp;nbsp; Chair:&lt;/font&gt;&lt;/span&gt; &lt;strong&gt;&lt;font face="Georgia, serif"&gt;Dom Heffer&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;, Institute of General Semantics, United Kingdom&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;font face="Georgia, serif"&gt;&lt;br&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;font color="#222222" face="Georgia, serif"&gt;“The Never Ending Question&lt;span&gt;:&lt;/span&gt;&lt;/font&gt; &lt;span&gt;&lt;font color="#222222" face="Georgia, serif" style=""&gt;Converting the Being-Question into the Event-Question”&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font color="#222222" face="Georgia, serif"&gt;&amp;nbsp; Mauro Ventola&lt;/font&gt;&lt;/strong&gt;&lt;font color="#222222" face="Georgia, serif"&gt;,&lt;/font&gt; &lt;font color="#1F1F1F" face="Georgia, serif"&gt;Center for Ontological Transformation, Italy&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#222222" face="Georgia, serif" style="font-size: 18px;"&gt;“Discourse, Dialogue, Deliberation and Defending Democracy”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font color="#222222" face="Georgia, serif"&gt;&amp;nbsp; Olek Netzer&lt;/font&gt;&lt;/strong&gt;&lt;font color="#222222" face="Georgia, serif"&gt;, Independent Scholar, Israel&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#222222" face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“The Dialect as a Cognitive Map: (Re)interpreting ‘Home’ through the Lens of ‘Thinking in Language’”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;&amp;nbsp; Oleksandr Bohomolets-Barash&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;, National Academy of Sciences, Ukraine&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif" style="font-size: 18px;"&gt;"Semiotic Tensions and Perspectives in Intermediality"&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;Eleni Timplalexi&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;font color="#222222" face="Georgia, serif"&gt;, &lt;span style=""&gt;National and Kapodistrian University of Athens, Greece&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;font color="#222222" face="Georgia, serif"&gt;&lt;span style=""&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#005B7F" style="font-size: 18px;"&gt;&lt;strong style=""&gt;Session III&amp;nbsp; &amp;nbsp; People in Quandaries&amp;nbsp; &amp;nbsp; 12:00 Noon to 1:15 PM&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;Chair: &lt;strong&gt;Susan Drucker&lt;/strong&gt;, Hofstra University&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“AI, Deepfakes and Democracy: Symbols, Environments, Modes”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Olena Marina&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;, Munster Technological University, Ireland, and&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;font face="Georgia, serif"&gt;&lt;strong&gt;Igor Korolyov&lt;/strong&gt;, Taras Shevchenko National University of Kyiv, Ukraine&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif" style="font-size: 18px;"&gt;“Rethinking Minority Language Acquisition in the Digital Age”&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;Grace Foley&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;, Trinity University, Ireland&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“Linking Condillac’s Abstractions to Korzybski’s Structural Differential”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Robert T. Ackland&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;, State University of New York College at Plattsburgh, USA&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“The Dawn of a New Order: Rebirth Through the ‘Impossible’”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Pedro Gil González&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;, Universidad Panamericana, Mexico&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#005B7F" style="font-size: 18px;"&gt;&lt;strong style=""&gt;Session IV&amp;nbsp; &amp;nbsp;Language in Human Affairs&amp;nbsp; &amp;nbsp;1:30 PM to 2:45 PM&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp; Chair: &lt;strong&gt;Corey Anton&lt;/strong&gt;, Grand Valley State University, USA&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“Teaching General Semantics Through Make-Believe”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;&amp;nbsp; Martin H. Levinson&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;, Institute of General Semantics, USA&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“On the Necessity of an Ethics of Speech: Cultivating Dialogue in Philosophy Classes in Times of Discursive Violence”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;&amp;nbsp; Marcelo Capello Martins&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;,&lt;/font&gt; &lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;Pontifical Catholic University of&lt;/font&gt;&lt;/span&gt; &lt;font face="Georgia, serif"&gt;Rio, Brazil&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;General Semantics, Rhetoric, and Education: Possibilities for a Democratic Counter-Environment&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;&amp;nbsp; Ryan P. McCullough&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;, West Liberty University, USA&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“When Discourse Is Generated: Artificial Intelligence as the Silent Architect of Public Discourse”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;span style=""&gt;&lt;font color="#1F1F1F" face="Georgia, serif"&gt;&amp;nbsp; Laura Trujillo Liñán&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;, Universidad Panamericana, Mexico&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#005B7F" style="font-size: 18px;"&gt;&lt;strong style=""&gt;Session V&amp;nbsp; &amp;nbsp;The Map is Not the Territory&amp;nbsp; &amp;nbsp;3:00 PM to 4:15 PM&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp; Chair: &lt;strong&gt;Peggy Cassidy&lt;/strong&gt;, Adelphi University, USA&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“Margaret Mee's Moon Flower: Map, Instant and Territory”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;&amp;nbsp; Fabiola&lt;/font&gt;&lt;/strong&gt; &lt;strong&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;Ballarati Chechetto&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;,&lt;/font&gt; &lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;Pontifical Catholic University of São Paul, Brazil&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“Maps, Manifestations, and #MagicResistance: Occult Symbolism for Political Action”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;&amp;nbsp; Christina M. Knopf&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;, State University of New York College at Cortland, USA&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“Margins of Interpretation: Towards an Analogical Model of Hermeneutics”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;&amp;nbsp; Elsa G. Sánchez Huerta Villalba&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;, &lt;span style=""&gt;&lt;font color="#222222"&gt;Universidad Panamericana, Mexico&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;span style=""&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;“Living an Environmental Catastrophe in a Supposed Democracy: Semantics, Dialectics, Soil and Water”&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;&amp;nbsp; W. Thomas Duncanson&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;, Green Citizen Diplomacy Project, USA&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#005B7F" style="font-size: 18px;"&gt;&lt;strong style=""&gt;Session VI&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Mind and Nature&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 4:30 PM to 5:45 PM&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp; Chair: &lt;strong&gt;Thom Gencarelli&lt;/strong&gt;, Manhattan University, USA&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“From Agency to Semantic Responsibility: General Semantics, Communication Ethics, and the Moral Imperative of Meaning in the Age of AI”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;span style=""&gt;&lt;font face="Georgia, serif"&gt;&amp;nbsp; Tiffany Petricini&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style=""&gt;&lt;font face="Georgia, serif"&gt;, Pennsylvania State University, Erie, USA&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“How Digital Maps Still Aren’t the Territory”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font color="#1F1F1F" face="Georgia, serif"&gt;&amp;nbsp; Jaqueline McLeod Rogers&lt;/font&gt;&lt;/strong&gt;&lt;font color="#1F1F1F" face="Georgia, serif"&gt;, University of Winnipeg, Canada&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;“A New Language of History”&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;&amp;nbsp; Jessie &lt;span style=""&gt;&lt;font color="#1F1F1F"&gt;Lydia&lt;/font&gt;&lt;/span&gt; Henshaw&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia, serif"&gt;, Independent Scholar, USA&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;“What Only Persons Can Give: AI, Moral Hollowing, and the Recovery of Dialogue&lt;/font&gt;&lt;/span&gt;&lt;span style=""&gt;&lt;font face="Georgia, serif"&gt;”&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;span style=""&gt;&lt;font face="Georgia, serif"&gt;&amp;nbsp; Laura Meneses&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt; &lt;strong&gt;&lt;font face="Georgia, serif"&gt;Trujillo&lt;/font&gt;&lt;/strong&gt;&lt;span style=""&gt;&lt;font face="Georgia, serif"&gt;,&lt;/font&gt;&lt;/span&gt; &lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;Universidad Panamericana, Mexico&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font color="#005B7F" face="Georgia, serif" style="font-size: 18px;"&gt;Concluding Remarks 5:45 PM to 6:00 PM&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font color="#222222" face="Georgia, serif"&gt;&amp;nbsp; Lance Strate&lt;/font&gt;&lt;/strong&gt;&lt;font color="#222222" face="Georgia, serif"&gt;, Fordham University, USA&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#005B7F"&gt;&lt;span style="font-size: 18px;"&gt;&lt;strong style=""&gt;&lt;br&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#005B7F"&gt;&lt;span style="font-size: 18px;"&gt;&lt;strong style=""&gt;About the Participants:&lt;/strong&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-bottom: 0px !important; margin-top: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#005B7F"&gt;&lt;span style="font-size: 18px;"&gt;&lt;strong style=""&gt;&lt;br&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Robert T. Ackland&lt;/font&gt;&lt;/strong&gt; &lt;font face="Georgia, serif"&gt;earned his PhD from the University of Illinois at Chicago, and is Professor Emeritus at the State University of New York College at Plattsburgh. His most recent publication uses works of art to highlight five key aspects of doing research (the depiction, the view, the frame, the researched, and the researcher): “Magritte’s Tree through Condillac’s Window” (2024) in &lt;em&gt;ETC&lt;/em&gt;, 81(3). He describes his concept of the idiolecte dynamique (an individual’s linguistic ID) in “The Night is a Strawberry: The Joys of Being Multilingual While Reading Louise Penny’s Québec Mysteries” (2020) in the &lt;em&gt;Journal of Eastern Townships Studies /Revue d’études des Cantons-de-l’Est&lt;/em&gt;, (48). He co-authored “Beyond the Lorax: Examining Children’s Books on Climate Change” (2016) in &lt;em&gt;The Reading Teacher&lt;/em&gt;. Now retired from Literacy and Teacher Education at SUNY Plattsburgh, he is translating portions of Condillac’;s 18th century philosophy.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Corey Anton&lt;/font&gt;&lt;/strong&gt; &lt;font face="Georgia, serif"&gt;received his PhD from Purdue University in 1998, and is Professor of Communication Studies at Grand Valley State University and a Fellow of the International Communicology Institute. He is author of &lt;em&gt;Selfhood and Authenticity&lt;/em&gt; (2001, SUNY Press), &lt;em&gt;Sources of Significance: Worldly Rejuvenation and Neo-Stoic Heroism&lt;/em&gt; (2010, Purdue University Press), &lt;em&gt;Communication Uncovered: General Semantics and Media Ecology&lt;/em&gt; (2010, IGS Press), &lt;em&gt;How Non-being Haunts Being: On Possibilities, Morality, and Death Acceptance&lt;/em&gt; (2020, Fairleigh Dickinson University Press), and &lt;em&gt;A.EYE CANDY: A Museum of Imaginary Robots and Other Digital Delights&lt;/em&gt; (2023, IGS Press). He is the editor of &lt;em&gt;Valuation and Media Ecology: Ethics, Morals, and Laws&lt;/em&gt; (2010, Hampton Press), and the co-editor, along with Lance Strate, of the collection &lt;em&gt;Korzybski And…&lt;/em&gt; (2012, IGS Press), co-editor, along with Robert K. Logan and Lance Strate, of the collection, &lt;em&gt;Taking Up McLuhan’s Cause&lt;/em&gt; (2017, Intellect Publishing), and co-editor, with Thom Gencarelli, of &lt;em&gt;General Semantics and Politics&lt;/em&gt; (2025, IGS press). Past Editor of the journal &lt;em&gt;Explorations in Media Ecology&lt;/em&gt; and Past President of the Media Ecology Association, Anton currently serves as Vice-President of the Institute of General Semantics, and on the editorial boards of &lt;em&gt;The Atlantic Journal of Communication, ETC, New Explorations,&lt;/em&gt; and &lt;em&gt;Explorations in Media Ecology&lt;/em&gt;.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Bini Babu Sudha&lt;/font&gt;&lt;/strong&gt; &lt;font color="#222222" face="Georgia, serif"&gt;is Assistant Professor of English in the Department of Humanities and Commerce, at the Institute of Law, Nirma University, Ahmedabad, Gujarat, India, and a former associate of the Balvant Parekh Centre for General Semantics and Other Human Sciences in Baroda, Gujarat, India. She is the author of &lt;em&gt;Life Worlds of Cancer: Narratives that Resist and Heal&lt;/em&gt;, a monograph published by the University of Kerala. Her articles, poems, and translations have appeared in journals and anthologies. She was part of an Oxford University Press translation project titled &lt;em&gt;An Anthology of Modern Malayalam Literature&lt;/em&gt;, which came out as a multivolume publication in 2017. She is the recipient of the 2016 J. Talbot Winchell Award from the Institute of General Semantics, New York. Her Ph.D. from The University of Kerala was a Foucauldian analysis of the narrativity of history.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Eva Berger&lt;/font&gt;&lt;/strong&gt; &lt;font color="#222222" face="Georgia, serif"&gt;teaches media studies at the COMAS College in Israel where she has also served as Dean. She is the Secretary and a member of the Board of Trustees of the Institute of General Semantics. She is the author of multiple articles and books. Her latest is &lt;a name="m_-5542416086637212296_m_745119228297026" id="m_-5542416086637212296_m_745119228297026"&gt;&lt;/a&gt;&lt;em&gt;Context Blindness: Digital Technology and the Next Stage of Human Evolution&lt;/em&gt;&amp;nbsp;for which she received The Erving Goffman Award for Outstanding Scholarship in the Ecology of Social Interaction from the Media Ecology Association in 2023. She is also the 2024 recipient of the J. Talbot Winchell Award for Indispensable Contributions, Accomplishments and Timebinding Efforts in Service to the Field of General Semantics.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Oleksandr Bohomolets-Barash&lt;/font&gt;&lt;/strong&gt; &lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;holds a PhD in Philology. He works as a Junior Research Fellow in the Department of Dialectology at the Institute for Ukrainian Language, National Academy of Sciences of Ukraine (Kyiv, Ukraine). His academic interests lie within cognitive linguistics, semantics, and dialectology. He is the author of &lt;em&gt;The Concept of Europe in the Ukrainians’ Linguistic Picture of the World of the XVIII–XVIII centuries&lt;/em&gt; (2025)&lt;em&gt;.&lt;/em&gt; Beyond academic reading, he enjoys science fiction and fantasy; his favorite author is Roger Zelazny.&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;span style=""&gt;&lt;font face="Georgia, serif"&gt;Peggy Cassidy&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt; &lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;is Professor of Communication at Adelphi University. Her research and teaching focus primarily on the history of media in the lives and education of children and adolescents. She is the author of &lt;em&gt;BookEnds: The Changing Media Environment of American Classrooms&lt;/em&gt; (Hampton Press, 2003) and &lt;em&gt;Children, Media, and American History: Printed Poison, Pernicious Stuff, and Other Terrible Temptations&lt;/em&gt; (Routledge, 2017). She is a Trustee of the Institute of General Semantics, President of the New York Society for General Semantics, and has served as President of the Media Ecology Association and the New York State Communication Association. She is also the editor of &lt;em&gt;Explorations in Media Ecology&lt;/em&gt;.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;br&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; margin-bottom: 0px; line-height: 21px; margin-top: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;Pratiksha N.&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt; &lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;&lt;strong&gt;Chavada&lt;/strong&gt; is an assistant professor of English at Shri M. P. Shah Arts and Science College, Surendranagar, Gujarat, India. She completed her higher education at Saurashtra University, Rajkot. For her Master of Philosophy and Doctor of Philosophy degrees, she worked in the area of general semantics theory. She has presented papers in numerous national and international seminars and conferences as well as authored numerous research articles in reputed national and international journals. She has also served as an expert speaker for the General Semantics workshop organized by Balvant Parekh Centre of General Semantics and Other Human Sciences, Baroda, Gujarat. Her areas of interest include novels, plays, emerging genres, literary criticism, and general semantics.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;&lt;br&gt;&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Fabiola&lt;/font&gt;&lt;/strong&gt; &lt;strong&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;Ballarati Chechetto&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt; &lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;is an Italian Brazilian poet and apprentice sorceress to an Ecology of Mind, Meaning, and Media, living in São Paulo, Brazil. She holds a Ph.D. in Communication and Semiotics from the Pontifical Catholic University of São Paulo (PUC-SP), and currently runs experimental workshops combining nature and the arts, maps, and territories.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Chris Chesher&lt;/font&gt;&lt;/strong&gt; &lt;font color="#222222" face="Georgia, serif"&gt;is an Associate Professor in Digital Cultures in the Discipline of Media and Communications at the University of Sydney. His research focuses on the intersection of technology, culture, and society, currently researching transformations of service work with robots, the cultural aspects of social robots and multimodal AI. He was guest editor of a special issue of the &lt;em&gt;International Journal of Social Robotics&lt;/em&gt; on ’beyond anthropomorphism’. His recent book &lt;em&gt;Invocational Media: Reconceptualising the Computer&lt;/em&gt; offers a provocative original analysis of the genesis of digital technologies as mediators of invocations.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Susan J. Drucker&lt;/font&gt;&lt;/strong&gt; &lt;font face="Georgia, serif"&gt;is a Distinguished Professor of Journalism in the Department of Journalism/Media Studies, School of Communication, Hofstra University, and a Trustee of the Institute of General Semantics. She is an attorney, and treasurer of the Urban Communication Foundation. She is the author and editor of 13 books and over 150 articles and book chapters including two volumes of the &lt;em&gt;Urban Communication Reader&lt;/em&gt;, &lt;em&gt;Regulating Convergence&lt;/em&gt; (Peter Lang, 2010), &lt;em&gt;Voices in the&lt;/em&gt; &lt;em&gt;Street: Gender, Media and Public Space&lt;/em&gt;, &lt;em&gt;two editions of Real Law @ Virtual Space: The Regulation of Cyberspace (1999, 2005)&lt;/em&gt;, and &lt;em&gt;Regulating Social Media: Legal and Ethical Considerations&lt;/em&gt; (2013) with Gary Gumpert. She co-edited &lt;em&gt;Urban Communication Regulations: Communication Freedoms and Limits&lt;/em&gt; (Lang, 2018). Her latest book is &lt;em&gt;Fake News: Real Issues in Modern Communication&lt;/em&gt; with Russell Chun (Peter Lang, 2020). She received the Walter J. Ong Award for Career Achievement in Scholarship from the Media Ecology Association in 2018. Her work examines the relationship between media technology and human factors, particularly as viewed from a legal perspective.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;W. Thomas Duncanson&lt;/font&gt;&lt;/strong&gt; &lt;span style=""&gt;&lt;font face="Georgia, serif"&gt;has for decades written about communication ethics and especially the speech thought of Eugen Rosenstock-Huessy. In recent years Tom has returned to one of his first concerns, environmental communication. In 2020 he resigned as Professor of Communication at Millikin University and launched the Green Citizen Diplomacy Project, dedicated to research and public information concerning the UN climate change meetings. He lives in Champaign, Illinois.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; margin-bottom: 0px; line-height: 21px; margin-top: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font color="#222222" face="Georgia, serif"&gt;Grace Foley&lt;/font&gt;&lt;/strong&gt; &lt;font color="#222222" face="Georgia, serif"&gt;is a PhD candidate in the School of Linguistic, Speech and Communication Sciences at Trinity College Dublin. Her doctoral research investigates multilingualism, with a particular focus on the Irish language and communicative practices in contemporary contexts. She holds a Master of Arts in Journalism and Digital Content Creation from Munster Technological University (Cork), a Master of Arts in Public Media with a specialization in Strategic Communication from Fordham University, and a Bachelor of Arts in TV/Radio and New Media from Munster Technological University. Her research interests lie at the intersection of language, media, and communication, with particular expertise in strategic communication, media studies, and language development.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;font color="#222222" face="Georgia, serif"&gt;&lt;br&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Thom Gencarelli&lt;/font&gt;&lt;/strong&gt; &lt;font face="Georgia, serif"&gt;earned his PhD from New York University and is Professor and founding Chair of the former Communication Department at Manhattan University in Riverdale, New York. He is Treasurer of the Institute of General Semantics and Editor of the IGS’ official journal &lt;em&gt;ETC: A Review of General Semantics&lt;/em&gt;, as well as Past President of the Media Ecology Association, the New York State Communication Association, and the New Jersey Communication Association (twice). He researches and writes about media ecology, media education, new media, and popular media and culture with an emphasis on popular music, and is co-editor (with Corey Anton) of &lt;em&gt;General Semantics and Politics&lt;/em&gt; (Institute of General Semantics, 2025) and (with Brian Cogan), &lt;em&gt;Baby Boomers and Popular Culture: An Inquiry into America’s Most Powerful Generation&lt;/em&gt;. His authored book, from &lt;em&gt;Searching for the Right Notes: Essays on Media, Meaning, and Music&lt;/em&gt; is due out Peter Lang in 2026. Thom is the recipient of multiple awards including the Eastern Communication Association’s Distinguished Teaching Fellows Award, the Media Ecology Association’s Louis Forsdale Award for Outstanding Educator in the Field of Media Ecology, the John F. Wilson Fellowship Award for Scholarship and Service from the New York State Communication Association, the Media Ecology Association’s Christine L. Nystrom Award for Outstanding Career Achievement in Service to the Field of Media Ecology, and, in 2023, the J. Talbott Winchell Award for Outstanding Contributions and Service to the Cause of General Semantics from the Institute of General Semantics. Thom is also a songwriter, musician, and producer who has released four album-length works with his ensemble bluerace: &lt;em&gt;World is Ready&lt;/em&gt; (2009), &lt;em&gt;Beautiful Sky&lt;/em&gt; (2013), &lt;em&gt;Mistral&lt;/em&gt; (2019), and &lt;em&gt;INDYeGO&lt;/em&gt; (2024). The group is presently at work on their as-yet-untitled fifth album.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Pedro Gil González&lt;/font&gt;&lt;/strong&gt; &lt;span style=""&gt;&lt;font face="Georgia, serif"&gt;is a Mexican Lawyer from the University of Guadalajara with a Master’s Degree in Public Administration at the Anáhuac Yucatán University. He is also a Philosophy student at Universidad Panamericana in Mexico City. He has served as an advisor to the government of Tabasco, Mexico. Currently he is the Coordinator of a Diploma Degree at Universidad Panamericana for the inclusion of people with disabilities focused on ethics, organizational strategy and public policies.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Dom Heffer&lt;/font&gt;&lt;/strong&gt; &lt;font face="Georgia, serif"&gt;is an artist, based in the UK, known for his vibrant, large-scale paintings that reflect upon technology, consciousness, and the interplay between digital and natural worlds. His works borrow from such subjects as retro computing, cinema, mass production and often feature humanoid characters referred to as “stooges” that seem to be acting out aimless functions or escaping the confines of the canvas. Underpinning all of this is a fascination with painting as a tool for thought, exploration and play. Dom has worked with arts organizations nationally and internationally–he is a founder member of Feral Art School, and his current show “Delay-a-grams” runs at 2021 Visual Arts Centre in the UK until November 2025. =To find out more about Dom’s work, see: &amp;lt;ideasinthevoid.com&amp;gt; or on @domhe Instagram.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; margin-bottom: 0px; line-height: 21px; margin-top: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;span style=""&gt;&lt;font color="#1F1F1F" face="Georgia, serif"&gt;Jessie Lydia Henshaw&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt; &lt;font face="Georgia, serif"&gt;has established a distinguished career as both a New York architect and a groundbreaking research scientist with HDS Natural Systems Design Science, where she has contributed her expertise since 1977. Since 2009, she has worked full-time, professionally engaging with others on the great problem we all face on earth, of our natural systems increasingly misbehaving due to human interference. Her success stems from recognizing the working relationships of emerging systems. Natural systems generally have separate internal and external designs, much like organisms do, as well as human organizations, cultures, and economies, all of which have environmental system relationships and lifecycles. What’s unique about them is that they all generally form their designs as they grow.&amp;nbsp; Her work is shared in reports and papers, at professional meetings, in consultations and correspondence, and in online discussions, such as within the ISSS community, at the UN, on LinkedIn, with NGO’s, diverse other scientists and organizations, and in Who’s Who, advancing the discussion of unusual escalating confusion on earth about what we all should do, as we seem to have done something wrong to bring nearly the whole world to a crescendo of chaos. Ms. Henshaw's career journey began in with a physics degree in the late ‘60s, followed by a degree in architectural and landscape design at Penn in 1974. Her online portfolio of NYC design projects is at Archt.htm@synapse9.com, where all her subsequent work is collected, too, at: synapse9.com/signals.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;font face="Georgia, serif"&gt;&lt;br&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Christina M. Knopf&lt;/font&gt;&lt;/strong&gt; &lt;font face="Georgia, serif"&gt;is a Professor in the Communication and Media Studies Department at the State University of New York (SUNY) at Cortland. She is the author of &lt;em&gt;Politics in the Gutters: American Politicians and Elections in Comic Book Media&lt;/em&gt; (2021) and &lt;em&gt;The Comic Art of War: A Critical Study of Military Cartoons, 1805-2014&lt;/em&gt; (2015), along with dozens of critical essays on pop culture and politics. She is a series co-editor for the Routledge Advances in Comics Studies series. She holds a PhD from the University at Albany in sociology/communication.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Igor Korolyov&lt;/font&gt;&lt;/strong&gt; &lt;span style=""&gt;&lt;font face="Georgia, serif"&gt;is a Doctor of Science in Philology and Professor of General Linguistics, Head of the Centre for Baltic Studies, Taras Shevchenko National University of Kyiv, Ukraine. He is Scientific Supervisor of the research project “Ecolinguistic Modes of Ukrainian Discursive Space in the European Multicultural Continuum” supported by the National Research Foundation of Ukraine.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Martin H. Levinson&lt;/font&gt;&lt;/strong&gt; &lt;font face="Georgia, serif"&gt;received his PhD from New York University, is a past president of the Institute of General Semantics, book editor for &lt;em&gt;ETC: A Review of General Semantics&lt;/em&gt;, and a contributing editor to &lt;em&gt;The Satirist, A Critical Online Journal&lt;/em&gt;. He has published 14 books and scores of articles on topics ranging from GS self-help fairy tales to social and historical analyses. He is currently a faculty member with the Osher Lifelong Learning Institute at Stony Brook University, a teacher for the United Federation of Teachers’ Si Beagle Learning Program, which is located in New York City, and a lecturer on contemporary and historical topics for schools and public libraries.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Olena Marina&lt;/font&gt;&lt;/strong&gt; &lt;font face="Georgia, serif"&gt;i&lt;/font&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;s a Doctor of Science in Philology and Professor of General Linguistics, Munster Technological University, Ireland. Her research interests include multimodal studies, cognitive linguistics, transmediality studies, media ecology, and general semantics.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Marcelo Capello Martins&lt;/font&gt;&lt;/strong&gt; &lt;font face="Georgia, serif"&gt;has a master’s degree in philosophy at&lt;/font&gt; &lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;Pontifical Catholic University of&lt;/font&gt;&lt;/span&gt; &lt;font face="Georgia, serif"&gt;Rio Rio. and is currently a PhD student at the department of Philosophy at the same university. His research is an attempt to discuss and criticize technophile discourse, i.e., the discourse that blindly describes technological benefits, but doesn’t take into account its problematic side and the potential dangers of the current “technological obesity”. Having Jacques Ellul as the main reference, his research also brings to the discussion works of different fields of knowledge, seeking interdisciplinarity. Marcelo was a Member At-Large of the Media Ecology Association from March 2022 until December 2023. He is currently a member of the EMAPS study and research group (Ethics and Algorithmic Mediation of Social Processes). He is interested in the following research fields: Philosophy of Technology, Media Ecology, Contemporary Philosophy, Political Philosophy and Philosophy of the Environmental Catastrophe.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Ryan P. McCullough&lt;/font&gt;&lt;/strong&gt; &lt;font face="Georgia, serif"&gt;earned his PhD at Duquesne University, and is a professor and chair of the Department of Media and Visual Arts at West Liberty University, a small public institution located in West Liberty, West Virginia. He teaches courses in media theory, media law and ethics, social media, public relations, and public speaking. His research has been published in &lt;em&gt;Explorations in Media Ecology&lt;/em&gt; and &lt;em&gt;ETC: A Review of General Semantics&lt;/em&gt;. He currently serves as the Media Ecology Association’s liaison to the Eastern Communication Association.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font color="#1F1F1F" face="Georgia, serif"&gt;Jaqueline McLeod Rogers&lt;/font&gt;&lt;/strong&gt; &lt;font color="#1F1F1F" face="Georgia, serif"&gt;(Ph.D.) is a Professor in the Department of Rhetoric, Writing, and Communication at the University of Winnipeg (Canada). She teaches courses about urban culture and place, professional and scholarly writing and rhetoric, and nonfiction narrative. She publishes widely on McLuhan, recontextualizing his work. She recently published &lt;em&gt;Crises Then as Now: McLuhan with Urbanist Jaqueline Tyrwhitt and Artist Gyorgy Kepes&lt;/em&gt; (Peter Lang, 2025 in the Media Ecology Series). Before that, she published &lt;em&gt;McLuhan’s Techno-Sensorium City: Coming to our Senses in a Programmed Environment&lt;/em&gt; (2021), a book that considered McLuhan as an activist and speculative urbanist and received the Lewis Mumford Award for Outstanding Scholarship in Ecology of Technics (Media Ecology Association, 2021). She is currently working on editing the &lt;em&gt;Palgrave MacMillan Companion Volume to McLuhan&lt;/em&gt;, with publication anticipated in 2027. Researching in other areas, she recently co-edited a collection of essays examining technologies in domestic space, &lt;em&gt;Mothering/Internet/Kids&lt;/em&gt; (2022) and =is co-writing a text (forthcoming) about changing cross-disciplinary writing practices, &lt;em&gt;Write to Engage&lt;/em&gt;. She is looking forward to hosting the 27th Annual Media Ecology Association Conference at the University of Winnipeg (Winnipeg, Manitoba, Canada), June 25-28, 2026.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font color="#1F1F1F" face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;span style=""&gt;&lt;font face="Georgia, serif"&gt;Laura&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt; &lt;strong&gt;&lt;font face="Georgia, serif"&gt;Meneses Trujillo&lt;/font&gt;&lt;/strong&gt; &lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;is a philosopher and learning and development designer. She has taught philosophy and ethics since 2014, including the past five years at Universidad Panamericana. She holds a B.A. in Philosophy and an M.A. in Human Resources Management from Universidad Panamericana. Her research and speaking focus on C.S. Lewis, ethics, technology, and transhumanism, and she has presented at conferences in Belfast and México.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia, serif" color="#000000" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;Olek Netzer&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt; &lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;holds a PhD in applied behavioral science from Union Institute University in the US, and is the author of three books published in English by LIT Verlag. He was born in 1937 in Warsaw, Poland, and survived the Holocaust in the care of a Polish family, and has lived in Israel since 1949. He is a dissident and activist, having adopted the Direct Causation Approach to war and conflict in contrast to mainstream Political Science.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Cambria, serif"&gt;Renee Peterson&lt;/font&gt;&lt;/strong&gt; earned her PhD in the School of Media and Communication at Royal Melbourne Institute of Technology in Melbourne. Her PhD is a creative practice-based research project examining celebrities adapting and navigating their contemporary media ecology into social media influencers. This research is featured in her podcast series, &lt;em&gt;From Screen Celebrity to Social Media Influencer&lt;/em&gt;, and is central to her dissertation. With over 20 years of experience in the Australian and international media industry, Renee is a radio and television presenter, podcaster, executive producer, and writer. She is the founder, director, and CEO of &lt;em&gt;Renee Peterson Presents Pty Ltd&lt;/em&gt;. Her diverse career has seen her contribute to various facets of the media landscape, from on-air roles to behind-the-scenes production and content creation. Renee is a sessional academic lecturer/tutor at The University of Melbourne, RMIT University, and Victoria University. Renee teaches Bachelor of Screen Media courses, including &lt;em&gt;Radio Production&lt;/em&gt;, &lt;em&gt;Introduction to Screen Media&lt;/em&gt;, and &lt;em&gt;Cross Media Practice&lt;/em&gt;. Renee integrates her extensive professional media industry experience into the classroom, collaborating with academic curricula to engage and inspire her students.&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;span style=""&gt;&lt;font face="Georgia, serif"&gt;Tiffany Petricini&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt; &lt;font face="Georgia, serif"&gt;is an Associate Teaching Professor in Communication at Pennsylvania State University Erie. She is co-chair of Penn State’s Joint Standing Committee on Responsible and Effective Use of Artificial Intelligence in Higher Education. She also leads the Penn State Artificial Intelligence Community of Practice (AICoP) and the Humanities Institute’s Phenomenology Collaborative Colloquia. Her publications have reflected interests in phenomenology, interpersonal communication, technology, philosophy, ethics, and media ecology, including her work “&lt;em&gt;Friendship and Technology&lt;/em&gt;,” available through Routledge. &lt;span style=""&gt;Tiffany has been an invited speaker on "Spark" on CBC Radio One and the SUNY Plattsburgh at the Ethics Institute.&lt;/span&gt;&lt;/font&gt; &lt;font face="Georgia, serif"&gt;She also serves as the social media expert for NBC affiliate WFMJ 21 News.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Elsa G. Sánchez Huerta Villalba&lt;/font&gt;&lt;/strong&gt; &lt;font color="#222222" face="Georgia, serif"&gt;is a professional with an academic and career background spanning diverse fields such as Political Science, Philosophy, and Education. She has experience as a professor at all educational levels and as a speaker committed to topics related to women, epistemology, education, and culture. She is currently pursuing a master’s degree in the History of Thought, further strengthening her interdisciplinary approach. Her fluency in English and proficiency in French have enabled her to participate in international programs. Elsa holds a degree in Philosophy with the thesis "The Nature of Women from an Aristotelian Realistic Perspective" with honorable mention. She has participated as a speaker at international interdisciplinary conferences in México, Athens, Greece and New York City. She just published her manuscript in &lt;em&gt;ETC: A Review of General Semantics&lt;/em&gt;, Volume 82, Number 1: “Generational Gap, is it an Opportunity or an Obstacle?” She was also part of the Media Ecology Association’s Convention Organizing cCmmittee for their 26th annual meeting held in Mexico City.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font face="Georgia, serif"&gt;Lance Strate&lt;/font&gt;&lt;/strong&gt; &lt;font face="Georgia, serif"&gt;is a Trustee and President of the Institute of General Semantics, a Past President of the New York Society for General Semantics, the New York State Communication, Association and the Media Ecology Association, and President for Academic Affairs of the Global Listening Centre. He is Professor of Communication and Media Studies at Fordham University, held the 2015 Harron Family Chair in Communication at Villanova University, and received an honorary appointment as Chair Professor in the School of Journalism and Communication at Henan University in Kaifeng, China, in 2016. He is the author of &lt;em&gt;Echoes and Reflections: On Media Ecology as a Field of Study&lt;/em&gt; (2006), &lt;em&gt;On the Binding Biases of Time and Other Essays on General Semantics and Media Ecology&lt;/em&gt; (2011), &lt;em&gt;Amazing Ourselves to Death: Neil Postman's Brave New World Revisited&lt;/em&gt; (2014), &lt;em&gt;Thunder at Darwin Station&lt;/em&gt; (2015),&lt;/font&gt; &lt;font face="MS Mincho"&gt;麦克&lt;/font&gt;&lt;font face="PingFang TC, sans-serif"&gt;卢汉&lt;/font&gt;&lt;font face="MS Mincho"&gt;与媒介生&lt;/font&gt;&lt;font face="PingFang TC, sans-serif"&gt;态&lt;/font&gt;&lt;font face="MS Mincho"&gt;学&lt;/font&gt; &lt;font face="Georgia, serif"&gt;[&lt;em&gt;McLuhan and Media Ecology&lt;/em&gt;, an original collection of essays published in Mandarin translation, 2016], &lt;em&gt;Media Ecology: An Approach to Understanding the Human Condition&lt;/em&gt; (2017), &lt;em&gt;Introdução à Ecologia das Midías&lt;/em&gt; [&lt;em&gt;Introduction to Media Ecology&lt;/em&gt;, co-authored by Adriana Braga and Paul Levinson, original contributions published in Portuguese translation, 2019), &lt;em&gt;Diatribal Writes of Passage in a World of Wintertextuality: Poems on Language, Media, and Life&lt;/em&gt; (2020), &lt;em&gt;Concerning Communication: Epic Quests and Lyric Excursions in the Human Life World&lt;/em&gt; (2022, IGS), &lt;em&gt;First Letter of My Alphabet&lt;/em&gt; (2023, NeoPoiesis), and &lt;em&gt;Not A, Not Be, &amp;amp;c&lt;/em&gt; (2024, IGS). He is co-editor of two editions of &lt;em&gt;Communication and Cyberspace: Social Interaction in an Electronic Environment&lt;/em&gt; (1996, 2003), &lt;em&gt;Critical Studies in Media Commercialism&lt;/em&gt; (2000), &lt;em&gt;The Legacy of McLuhan&lt;/em&gt; (2005), &lt;em&gt;Korzybski and...&lt;/em&gt; (2012), &lt;em&gt;The Medium is the Muse: Channeling Marshall McLuhan&lt;/em&gt; (2015), &lt;em&gt;La Comprensión de los Medios en la Era Digital: Un Nuevo Análisis de la Obra de Marshall McLuhan&lt;/em&gt; (2016), and &lt;em&gt;Taking Up McLuhan's Cause: Perspectives on Media and Formal Causality&lt;/em&gt; (2017). He has served as editor of the &lt;em&gt;Speech Communication Annual&lt;/em&gt;, &lt;em&gt;General Semantics Bulletin&lt;/em&gt;, and &lt;em&gt;Explorations in Media Ecology&lt;/em&gt;, a journal he founded and edited for 9 years (2002-2007, 2017-2019). He delivered the 2018 Alfred Korzybski Memorial Lecture for the Institute of General Semantics and received their 2024 Sanford Berman Teaching Award and their 2022 J. Talbot Winchell Award for Service, received the Media Ecology Association's 2018 Marshall McLuhan Award for Outstanding Book and their 2013 Walter J. Ong Award for Career Achievement in Scholarship, the Eastern Communication Association's 2019 Distinguished Research Fellow Award, the New York State Communication Association's 2019 Neil Postman Mentor Award and their 1998 John F. Wilson Fellow Award for exceptional scholarship, leadership, and dedication to the field of communication, the Global Listening Centre’s 2020 and 2025 Outstanding Research Award.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; margin-bottom: 0px; line-height: 21px; margin-top: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;Eleni Timplalexi&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt; &lt;span style=""&gt;&lt;font color="#222222" face="Georgia, serif"&gt;teaches Performance, Digital Media and Intermediality at the Department of Communication and Media Studies, National and Kapodistrian University of Athens. She was post-doctorate&lt;/font&gt;&lt;/span&gt; &lt;font color="#222222" face="Georgia, serif"&gt;&lt;span style=""&gt;researcher (2021) and member of an expert panel (2025~) at the Centre for Intermedial and Multimodal Studies, Linnaeus&lt;/span&gt; &lt;span style=""&gt;University, in Sweden. She was awarded by the Hellenic State Scholarship Foundation (I.K.Y.) with a PhD scholarship and with an IKY Fellowship of Excellence for postgraduate studies in the Greece-Siemens Program for her postdoctoral research. She received the Media Ecology Association’s Walter Benjamin Award for Outstanding Article in the Field of Media Ecology in 2025. Also, she was the Alexander C. Onassis Public Benefit Foundation Scholar in Theatre Practice (2005-07).&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;font color="#222222" face="Georgia, serif"&gt;&lt;span style=""&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;span style=""&gt;&lt;font color="#1F1F1F" face="Georgia, serif"&gt;Laura Trujillo Liñán&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt; &lt;font color="#222222" face="Georgia, serif"&gt;is a Mexican scholar who serves as a Professor and researcher of Humanities, Communication, and Philosophy at the Universidad Panamericana in Mexico City. She is Dean of the Universidad Panamericana’s Open University program. Dr. Trujillo Liñán also holds prominent leadership positions in her field: she is the President of the Media Ecology Association (MEA) and a Board Member (Trustee) of the Institute of General Semantics (IGS) in New York. In these roles, she helps bridge communities of scholars in media ecology and general semantics on an international level.&lt;/font&gt; &lt;font color="#222222" face="Georgia, serif"&gt;Dr. Trujillo-Liñán earned her MA and BA degrees in Philosophy, and later obtained a PhD in History of Thought from Universidad Panamericana. Her doctoral dissertation explored Aristotelian formal causality in the media theories of Marshall McLuhan, reflecting her interdisciplinary engagement with classical philosophy and contemporary media theory. Building on this foundation, her research interests include the philosophy of technology, media ecology, Aristotelian metaphysics, formal cause in communication theory, and general semantics. She has published numerous scholarly articles and book chapters on topics related to Marshall McLuhan, Aristotle’s thought, metaphysics, ethics, and media, consistently combining insights from ancient philosophical principles with modern communication ecology. Her work exemplifies a scholarly yet accessible approach, aiming to clarify complex ideas about how technology and media shape human understanding.&lt;/font&gt; &lt;font color="#222222" face="Georgia, serif"&gt;In 2023, she received the Media Ecology Association’s Marshall McLuhan Award for Outstanding Book, honoring her work &lt;em&gt;Formal Cause in Marshall McLuhan’s Thinking: An Aristotelian Perspective&lt;/em&gt;. (This book, published by the Institute of General Semantics in 2022, is regarded as a landmark study that bridges Aristotelian philosophy with McLuhan’s media ecology.) She has also been honored with a Louis Forsdale Award for Outstanding Educator at an MEA annual convention in 2025. In Mexico, Dr. Trujillo Liñán has the distinction of being recognized as a National Researcher (Sistema Nacional de Investigadores, Level I), a testament to her research leadership and contributions to national scholarship.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif"&gt;&lt;strong&gt;&lt;font face="Georgia, serif" style="font-size: 18px;"&gt;&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; line-height: 21px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font color="#000000" face="Times New Roman, serif" style="font-size: 18px;"&gt;&lt;strong&gt;&lt;font color="#222222" face="Georgia, serif"&gt;Mauro Ventola&lt;/font&gt;&lt;/strong&gt; &lt;font color="#222222" face="Georgia, serif"&gt;Ventola is President of the Center for Ontological Transformation and founder of Ontophenomenology as a discipline advancing the critical refoundation of transformation within existential ontology. His work is dedicated to the study of transformational processes in an ontological-existential sense and to the development of ontoanalysis as a method of existential authentication. He is Series Editor of the book series Trasformazione Ontologica [Ontological Transformation] at Armando Editore. The inaugural volume of the series, &lt;em&gt;Antropologia Dell’Homo Creator&lt;/em&gt; [&lt;em&gt;Anthropology of the Homo Creator&lt;/em&gt;] (Armando Editore, 2025), outlines the anthropological foundations of this approach. He previously served as Director of the Psychosynthesis Center of Naples at the Institute of Psychosynthesis founded by Roberto Assagioli, and as a member of the Institute’s Executive Board (2017–2020), focusing research on Assagioli’s Will Project and on the clarification of Self dynamics and psycho-existential development. He has authored around twenty books, including &lt;em&gt;L’Esperienza Transpersonale&lt;/em&gt; [&lt;em&gt;The Transpersonal Experience&lt;/em&gt;] (with Sergio Guarino, Integral Transpersonal Institute, 2021), &lt;em&gt;L’Orizzonte di un Mondo Nuovo&lt;/em&gt; [&lt;em&gt;The Horizon of a New World&lt;/em&gt;] (with Alberto Alberti, L’UOMO, 2020), and &lt;em&gt;Il Coraggio di Volere&lt;/em&gt; [&lt;em&gt;The Courage to Will&lt;/em&gt;] (Institute of Psychosynthesis, 2019). His research has appeared in peer-reviewed journals and international scholarly venues, including the &lt;em&gt;Integral Transpersonal Journal&lt;/em&gt; (ITJ), the &lt;em&gt;Journal of the Italian Institute for the Future&lt;/em&gt; (IIF), and the &lt;em&gt;Journal of the Italian Society of Therapeutic Psychosynthesis&lt;/em&gt; (SIPT).&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="background-color: transparent; font-size: 19.3619px; line-height: 21px; margin-top: 0px; margin-bottom: 0px !important;" align="center"&gt;&lt;br&gt;&lt;/p&gt;</description>
      <link>https://generalsemantics.org/event-6471290</link>
      <guid>https://generalsemantics.org/event-6471290</guid>
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      <pubDate>Mon, 04 May 2026 23:00:00 GMT</pubDate>
      <title>Practical Fairy Tales for Everyday Living: GS Fables to Improve Your Thinking and Communicating Abilities (4 May 2026)</title>
      <description>&lt;h2 align="center" style="font-size: 19.3619px; line-height: 42px;"&gt;&lt;/h2&gt;

&lt;h2 align="center" style="font-size: 19.3619px; line-height: 42px; margin-bottom: 0px !important;"&gt;&lt;/h2&gt;

&lt;h2 align="center" style="font-size: 19.3619px; line-height: 42px; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;font&gt;&lt;font color="#0076A3"&gt;&lt;strong&gt;&lt;font face="Georgia" style="font-size: 24px;"&gt;Practical Fairy Tales for Everyday Living:&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/font&gt;&lt;/h2&gt;

&lt;h2 align="center" style="font-size: 19.3619px; line-height: 42px; margin-top: 0px !important; margin-bottom: 0px;"&gt;&lt;font&gt;&lt;font color="#0076A3"&gt;&lt;strong&gt;&lt;font face="Georgia" style="font-size: 24px;"&gt;General Semantics Fables to Improve&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/font&gt;&lt;/h2&gt;

&lt;p style="font-size: 19.3619px; margin-top: 0px !important; margin-bottom: 0px !important;" align="center"&gt;&lt;font&gt;&lt;font color="#0076A3"&gt;&lt;strong&gt;&lt;font face="Georgia" style="font-size: 24px;"&gt;Your Thinking and Communicating Abilities&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/font&gt;&lt;br&gt;&lt;/p&gt;

&lt;h2 align="center" style="font-size: 19.3619px; line-height: 42px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 24px;"&gt;An Online Lecture Series Featuring&lt;/font&gt;&lt;/font&gt;&lt;/h2&gt;

&lt;h2 align="center" style="font-size: 19.3619px; line-height: 42px; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;font&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 24px;"&gt;&lt;font&gt;&lt;font color="#0076A3"&gt;&lt;strong&gt;&lt;font face="Georgia" style="font-size: 24px;"&gt;&lt;font&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 24px;"&gt;Dr. Martin H. Levinson&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/h2&gt;

&lt;h2 align="center" style="font-size: 19.3619px; line-height: 42px; margin-top: 0px !important; margin-bottom: 0px !important;"&gt;&lt;font&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 24px;"&gt;May 4-25&lt;/font&gt;&lt;/font&gt;&lt;/h2&gt;

&lt;p style="line-height: 21px;"&gt;&lt;font face="Georgia" style="font-size: 18px;"&gt;The Institute of General Semantics is pleased to sponsor an online lecture series to be taught by IGS Trustee and Past President&amp;nbsp;&lt;font style="font-size: 18px;"&gt;&lt;strong&gt;Martin H. Levinson&lt;/strong&gt;, author of 14 books, including the highly popular &lt;em&gt;Practical Fairy Tales for Everyday Living&lt;/em&gt;.&amp;nbsp;The series will consist of 4 sessions, each 90 minutes long, taking place via Zoom.&amp;nbsp;&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 21px;"&gt;&lt;font face="Georgia" style="font-size: 18px;"&gt;The lectures will focus on effective ways to evaluate people and situations through stories contained in &lt;em style=""&gt;Practical Fairy Tales for Everyday Living&lt;/em&gt;, a personal improvement book based on formulations from general semantics. Registrants for the course will be sent an e-copy of the book before the first session, and there will be ample time for discussion.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 21px;"&gt;&lt;font face="Georgia" style="font-size: 18px;"&gt;The lecture series is offered free of charge, but registration is required. Registrants will receive the Zoom link in advance of the series.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 21px; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;font face="Georgia" style="font-size: 18px;"&gt;&lt;strong style=""&gt;About the Instructor&lt;/strong&gt;: Martin H. Levinson, PhD, New York University, is a past president of the Institute of General Semantics, book editor for &lt;em style=""&gt;ETC: A Review of General Semantics&lt;/em&gt;, and a contributing editor to &lt;em style=""&gt;The Satirist—America’s Most Critical Journal&lt;/em&gt;. He has published 14 books and scores of articles on topics ranging from self-help fairy tales to social and historical analyses. He is currently a faculty member with the Osher Lifelong Learning Institute at Stony Brook University, a teacher for the United Federation of Teachers’ Si Beagle Learning Program, which is located in New York City, and a lecturer on contemporary and historical topics for schools and public libraries.&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://generalsemantics.org/event-6507792</link>
      <guid>https://generalsemantics.org/event-6507792</guid>
      <dc:creator />
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      <pubDate>Tue, 14 Jul 2026 04:00:00 GMT</pubDate>
      <title>Meaning in Motion: How Words Become Worlds: General Semantics Seminar (14 Jul 2026)</title>
      <description>&lt;h2 align="center" style="line-height: 42px; margin-top: 1em !important; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia"&gt;&lt;font color="#32004B" style="font-size: 36px;"&gt;&lt;em&gt;Meaning in Motion:&lt;/em&gt;&lt;/font&gt;&lt;/font&gt;&lt;/h2&gt;

&lt;p style="margin-top: 0px !important;" align="center"&gt;&lt;font face="Georgia"&gt;&lt;font color="#32004B" style="font-size: 36px;"&gt;&lt;strong&gt;&lt;em&gt;How Words Become Worlds&lt;/em&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/font&gt;&lt;br&gt;&lt;/p&gt;

&lt;p align="center" style="line-height: 42px; font-family: Lora, serif; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia" color="#005B7F" style="font-size: 36px;"&gt;&lt;strong&gt;The&amp;nbsp;&lt;span&gt;2026&lt;/span&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="line-height: 42px; font-family: Lora, serif; margin-bottom: 0px !important; margin-top: 0px !important;"&gt;&lt;font face="Georgia" color="#005B7F" style="font-size: 36px;"&gt;&lt;strong&gt;&lt;span&gt;Institute of General Semantics&lt;/span&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="line-height: 42px; margin-bottom: 0px; margin-top: 0px;"&gt;&lt;font face="Georgia" color="#005B7F" style="font-size: 36px;"&gt;&lt;strong&gt;In-Person&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="margin-top:0px !important;margin-bottom:0px !important;" align="center"&gt;&lt;font face="Georgia" color="#005B7F" style="font-size: 36px;"&gt;&lt;strong&gt;4-Day&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;h2 align="center" style="line-height: 42px; margin-top: 0px;"&gt;&lt;font face="Georgia"&gt;&lt;font&gt;&lt;font face="Georgia"&gt;&lt;font style="font-size: 36px;"&gt;&lt;font face="Georgia"&gt;&lt;font color="#005B7F"&gt;Summer Seminar&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/h2&gt;

&lt;h2 align="center" style="line-height: 42px; margin-bottom: 0px !important;"&gt;&lt;font face="Georgia"&gt;&lt;font color="#0076A3" style="font-size: 36px;"&gt;July 14-17&lt;/font&gt;&lt;/font&gt;&lt;/h2&gt;

&lt;h2 align="center" style="line-height: 42px; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;font&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 36px;"&gt;The Century Club&lt;/font&gt;&lt;/font&gt;&lt;/h2&gt;

&lt;h2 align="center" style="line-height: 42px; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;font&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 36px;"&gt;London, UK&lt;/font&gt;&lt;/font&gt;&lt;/h2&gt;

&lt;p style="margin-top:0px !important;margin-bottom:0px !important;"&gt;&lt;br&gt;&lt;/p&gt;

&lt;p align="center" style="line-height: 25px; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;span&gt;&lt;font face="Georgia" color="#790000" style="font-size: 18px;"&gt;&lt;strong&gt;Registration Fee Covers Breakfast and Lunch&lt;/strong&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p align="center" style="line-height: 25px; margin-bottom: 0px; margin-top: 0px !important;"&gt;&lt;span&gt;&lt;font face="Georgia" color="#790000" style="font-size: 18px;"&gt;&lt;strong&gt;All Course Materials and&lt;/strong&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style="margin-top: 0px; margin-bottom: 0px; line-height: 25px;" align="center"&gt;&lt;font face="Georgia" color="#790000" style="font-size: 18px;"&gt;&lt;span style=""&gt;&lt;strong&gt;Four Full Days of Instruction&lt;/strong&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="margin-top: 0px !important; margin-bottom: 0px; line-height: 25px;" align="center"&gt;&lt;font face="Georgia" color="#790000" style="font-size: 18px;"&gt;&lt;strong&gt;IGS Members: US$300&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="margin-top: 0px !important; margin-bottom: 0px !important; line-height: 25px;" align="center"&gt;&lt;font face="Georgia" color="#790000" style="font-size: 18px;"&gt;&lt;strong&gt;Non-&lt;font face="Georgia" color="#790000" style="font-size: 18px;"&gt;&lt;strong&gt;Members&lt;/strong&gt;&lt;/font&gt;: US$350&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;blockquote&gt;
  &lt;p style="line-height: 18px; margin-bottom: 0px !important;" align="right"&gt;&lt;font style="font-size: 24px;"&gt;&lt;font&gt;&lt;font face="Georgia"&gt;&lt;font&gt;&lt;font face="Georgia"&gt;&lt;font color="#603913" style="font-size: 16px;"&gt;&lt;em&gt;A language is like a map; it is not the territory represented, but it may be a good map or a bad map. If the map shows a different structure from the territory represented—for instance, shows the cities in a wrong order, or some places east of others while in the actual territory they are west.,—then the map is worse than useless, as it misinforms and leads astray. One who made use of it could never be certain of reaching his destination.&lt;/em&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

  &lt;p style="line-height: 18px; margin-top: 0px !important;" align="right"&gt;&lt;font style="font-size: 24px;"&gt;&lt;font&gt;&lt;font face="Georgia"&gt;&lt;font style=""&gt;&lt;font face="Georgia" style=""&gt;&lt;font style="font-size: 16px;" color="#603913"&gt;&lt;font style="font-size: 24px;"&gt;&lt;font style=""&gt;&lt;font face="Georgia" style=""&gt;&lt;font style=""&gt;&lt;font face="Georgia" style=""&gt;&lt;font style="font-size: 16px;"&gt;—&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;Alfred Korzybski&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;
&lt;/blockquote&gt;

&lt;p style="line-height: 21px;"&gt;&lt;font face="Georgia" color="#003663" style="font-size: 18px;"&gt;Korzybski’s study of language, perception, and consciousness provides us with some of the most essential and least recognized theories and methods to make sense of this era in which communication has become polarizing, and media is stirring the storm of confusion.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 21px;"&gt;&lt;font face="Georgia" color="#003663" style="font-size: 18px;"&gt;General semantics is the name of the tradition of inquiry into language, thought, and abstracting that Korzybski founded. Join the Institute of General Semantics (based in New York City) in London, UK, for four days of theory and practical application, story and experiential learning, via an in-person seminar on general semantics and related non-aristotelian systems. The 4-day intensive course will include lecture, discussion, and exercises designed to provide participants with a thorough grounding in the discipline and its applications.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 21px;"&gt;&lt;font face="Georgia" color="#003663" style="font-size: 18px;"&gt;For those unfamiliar with general semantics, the seminar will provide a comprehensive introduction to the tradition and its 21st century evolution. For those already familiar with the non-aristotelian approach, the course will provide reinforcement, enrichment, and an updating and expansion of the discipline. And for those interested in and/or involved in teaching, the seminar will provide useful guidance on pedagogy related to topics such as language, symbolic communication, thought and behavior, and epistemology and evaluation.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 21px;"&gt;&lt;font face="Georgia" color="#003663" style="font-size: 18px;"&gt;During the seminar, we will explore how unexamined language behaviors perpetuate misperceptions of past and present controversies in professional and personal spaces. And we will determine which language and listening behaviors respect the infinite worth of each person in the interaction.&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 21px;"&gt;&lt;font face="Georgia" color="#003663" style="font-size: 18px;"&gt;The seminar leaders will include six trustees of the&amp;nbsp;Institute of General Semantics:&amp;nbsp;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 21px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font face="Georgia" color="#32004B" style="font-size: 18px;"&gt;&lt;strong style=""&gt;Mary P. Lahman&lt;/strong&gt;, &lt;font style="font-size: 18px;"&gt;Professor Emerita of Communication Studies at Manchester University and&amp;nbsp;&lt;/font&gt;author of &lt;em style=""&gt;Awareness and Action&lt;/em&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 21px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font face="Georgia" color="#32004B" style="font-size: 18px;"&gt;&lt;strong&gt;Lance Strate&lt;/strong&gt;, IGS President, Professor of Communication and Media Studies at Fordham University, and author of &lt;em&gt;M&lt;/em&gt;&lt;em&gt;&lt;font style="font-size: 18px;"&gt;edia Ecology: An Approach to Understanding the Human Condition&lt;/font&gt;&lt;/em&gt;&lt;font style="font-size: 18px;"&gt;, and&amp;nbsp;&lt;/font&gt;&lt;em&gt;&lt;font style="font-size: 18px;"&gt;Concerning Communication: Epic Quests and Lyric Excursions Within the Human Lifeworld&lt;/font&gt;&lt;/em&gt;&lt;font style="font-size: 18px;"&gt;.&amp;nbsp;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 21px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;span&gt;&lt;font face="Georgia" color="#32004B" style="font-size: 18px;"&gt;&lt;strong style="font-weight: bold;"&gt;Nora Bateson&lt;/strong&gt;, President of the International Bateson Institute, Trustee of the Institute of General Semantics, Creator of Warm Data and the Warm Data labs, complexity/systems teacher, filmmaker, artist, and author of Small Arcs of Larger Circles, and Combining.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 21px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;span&gt;&lt;font face="Georgia" color="#32004B" style="font-size: 18px;"&gt;&lt;strong style="font-weight: bold;"&gt;Dom Heffer&lt;/strong&gt;, East Yorkshire-based artist, Trustee of the Institute of General Semantics, Art Editor of the journal&amp;nbsp;&lt;em&gt;ETC: A Review of General Semantics&lt;/em&gt;, founding member of Feral Art School, and previously associated with The Estate of Francis Bacon, 2021 Visual Arts Centre, Ferens Art Gallery, Cultural Olympiad 2012, and UK City of Culture 2017.&lt;/font&gt;&lt;/span&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 21px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font&gt;&lt;font&gt;&lt;font&gt;&lt;font&gt;&lt;font color="#32004B"&gt;&lt;strong&gt;&lt;font face="Georgia"&gt;Peggy Cassidy&lt;/font&gt;&lt;/strong&gt;&lt;font face="Georgia"&gt;, Professor of Communication at Adelphi University, President of the New York Society for General Semantics, editor of&amp;nbsp;&lt;/font&gt;&lt;em&gt;&lt;font face="Georgia"&gt;Explorations in Media Ecology&lt;/font&gt;&lt;/em&gt;&lt;font face="Georgia"&gt;, and author of&amp;nbsp;&lt;/font&gt;&lt;em&gt;&lt;font face="Georgia"&gt;Bookends: The Changing Media Environment of American Classrooms&lt;/font&gt;&lt;/em&gt;&lt;font face="Georgia"&gt;&amp;nbsp;and&amp;nbsp;&lt;/font&gt;&lt;em&gt;&lt;font face="Georgia"&gt;Children, Media, and American History: Printed Poison, Pernicious Stuff, and Other Terrible Temptations&lt;/font&gt;&lt;/em&gt;&lt;font face="Georgia"&gt;.&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="line-height: 21px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font style="font-size: 18px;"&gt;&lt;font face="Georgia" color="#32004B" style="font-size: 18px;"&gt;&lt;strong&gt;Thom Gencarelli&lt;/strong&gt;, Professor of Communication at Manhattan University, Treasurer of the Institute of General Semantics, and editor of &lt;em&gt;ETC: A Review of General Semantics.&lt;/em&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://generalsemantics.org/event-6471351</link>
      <guid>https://generalsemantics.org/event-6471351</guid>
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      <pubDate>Fri, 02 Oct 2026 04:00:00 GMT</pubDate>
      <title>2026 AKML &amp; Symposium (2 Oct 2026)</title>
      <description>&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 21px;"&gt;&lt;font style="font-size: 30px;"&gt;&lt;strong&gt;&lt;font color="#630460" face="Georgia"&gt;&lt;br&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 21px;"&gt;&lt;font style="font-size: 30px;"&gt;&lt;strong&gt;&lt;font color="#630460" face="Georgia"&gt;Registration is&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;strong style="font-size: 30px;"&gt;&lt;font color="#630460" face="Georgia"&gt;&amp;nbsp;Not Yet Open&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 21px;"&gt;&lt;strong style="font-size: 30px;"&gt;&lt;font color="#630460" face="Georgia"&gt;and will be for&amp;nbsp;&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 21px;"&gt;&lt;font style="font-size: 30px;"&gt;&lt;strong&gt;&lt;font color="#7A0026" face="Georgia"&gt;In-Person Attendance ONLY&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 21px;"&gt;&lt;font color="#32004B" face="Georgia"&gt;&lt;font style="font-size: 18px;"&gt;&lt;strong&gt;All IGS Members in Good Standing Will Receive Instructions on How to&amp;nbsp;&lt;/strong&gt;&lt;/font&gt;&lt;strong&gt;&lt;font style="font-size: 18px;"&gt;Livestream the Event Online Prior to the AKML&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 34px;"&gt;&lt;font color="#0076A3" face="Georgia" style=""&gt;&lt;br&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 34px;"&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 24px;"&gt;&lt;strong&gt;The 74th Annual&amp;nbsp;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 34px;"&gt;&lt;font&gt;&lt;strong&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 48px;"&gt;Alfred Korzybski&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 34px;"&gt;&lt;font&gt;&lt;strong&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 48px;"&gt;Memorial Lecture&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 34px;"&gt;&lt;font&gt;&lt;strong&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 24px;"&gt;and the&amp;nbsp;&lt;strong&gt;&lt;font&gt;&lt;strong&gt;&lt;font color="#0076A3"&gt;&lt;strong&gt;&lt;font color="#0076A3"&gt;Symposium on&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 34px;"&gt;&lt;font&gt;&lt;strong&gt;&lt;span&gt;&lt;strong&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 48px;"&gt;&lt;font&gt;Language,&lt;/font&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 34px;"&gt;&lt;font&gt;&lt;strong&gt;&lt;strong&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 48px;"&gt;&lt;span&gt;Listening,&lt;/span&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 34px;"&gt;&lt;font&gt;&lt;strong&gt;&lt;strong&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 48px;"&gt;&lt;span&gt;Literacy,&lt;/span&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 34px;"&gt;&lt;font&gt;&lt;strong&gt;&lt;strong&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 48px;"&gt;&lt;span&gt;and Algorithms&lt;/span&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent; line-height: 26px;"&gt;&lt;font&gt;&lt;strong&gt;&lt;font&gt;&lt;strong&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 24px;"&gt;October 2nd-4th, 2026&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="background-color: transparent; line-height: 26px;"&gt;&lt;font style=""&gt;&lt;strong style=""&gt;&lt;font style=""&gt;&lt;strong style=""&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 24px;"&gt;A Call for Papers and Proposals&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="background-color: transparent; line-height: 26px;"&gt;&lt;font style=""&gt;&lt;strong style=""&gt;&lt;font style=""&gt;&lt;strong style=""&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 24px;"&gt;Will Be Issued at a Later Date&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent;"&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 18px;"&gt;&lt;strong&gt;Co-Sponsored by the&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent;"&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 18px;"&gt;&lt;strong&gt;New York Society for General Semantics&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent;"&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 18px;"&gt;&lt;strong&gt;the International Bateson Institute&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent;"&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 18px;"&gt;&lt;strong&gt;the Media Ecology Association&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent;"&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 18px;"&gt;&lt;strong&gt;the Tomkins Institute&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent;"&gt;&lt;font color="#0076A3" face="Georgia" style="font-size: 18px;"&gt;&lt;strong&gt;and the 404 Festival of Art and Technology&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent;"&gt;&lt;font color="#0076A3" face="Georgia"&gt;&lt;strong&gt;featuring&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="center" style="font-size: 19.3619px; background-color: transparent;"&gt;&lt;strong&gt;&lt;font color="#9E0B0F" face="Georgia" style="font-size: 48px;"&gt;Ted Chiang&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p style="font-size: 19.3619px; line-height: 28px;"&gt;&lt;font style=""&gt;&lt;span style="font-family: Georgia;"&gt;&lt;span style=""&gt;&lt;font style="font-size: 24px;"&gt;Ted Chiang is an American science fiction writer. His work has won four Nebula awards, four Hugo awards, six Locus awards, and the PEN Malamud&amp;nbsp;&lt;img src="https://generalsemantics.org/resources/Pictures/Ted_Chiang_14%20(by%20Alan%20Berner).JPG" alt="" title="" border="0" width="310" height="215" align="right" style="border-color: rgb(117, 76, 36); margin: 8px;"&gt; Award. His novella “Story of Your Life” was the basis of the film &lt;em&gt;Arrival&lt;/em&gt; (2016). His most recent short story collection, &lt;em&gt;Exhalation&lt;/em&gt; (Knopf, 2019), was listed as one of the Top Ten Books of 2019 by &lt;em&gt;The New York Times&lt;/em&gt;, and&amp;nbsp;included in President Barack Obama’s 2019 reading list. In 2023, he was named one of &lt;span&gt;&lt;em&gt;Time&lt;/em&gt; Magazine’s&lt;/span&gt; 100 Most Influential People in AI.&lt;/font&gt;&lt;/span&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p align="left" style="font-size: 19.3619px; background-color: transparent; line-height: 21px;"&gt;&lt;font style="font-size: 19px;"&gt;&lt;span style="font-family: Georgia;"&gt;&lt;strong&gt;&lt;font color="#7A0026" style="font-size: 18px;"&gt;The lecture, dinner, and symposium are being held at the historic&amp;nbsp;&lt;a href="http://www.theplayersnyc.org/"&gt;&lt;font face="Droid Serif"&gt;Players Club&lt;/font&gt;&lt;/a&gt;&amp;nbsp;in Gramercy Park, Manhattan.&amp;nbsp;&lt;br&gt;&lt;/font&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="font-size: 19.3619px; background-color: transparent; line-height: 21px;"&gt;&lt;font style="font-size: 19px;"&gt;&lt;span style="font-family: Georgia;"&gt;&lt;strong&gt;&lt;font face="Droid Serif" color="#7A0026" style="font-size: 18px;"&gt;Registration is free for IGS members and their guests, but all attendees must be registered in advance in order to gain admittance to the club. More information regarding the dinner and symposium schedule will be made available at a later date.&lt;/font&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p style="font-size: 19.3619px; background-color: transparent; line-height: 21px;"&gt;&lt;font style="font-size: 19px;"&gt;&lt;span style="font-family: Georgia;"&gt;&lt;strong&gt;&lt;font face="Droid Serif" color="#7A0026" style="font-size: 18px;"&gt;Please note that as an historic 19th century landmark, the site is not handicap accessible. Dress code is business casual and is strictly enforced, including no sneakers, shorts, ripped jeans, t-shirts).&lt;/font&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;</description>
      <link>https://generalsemantics.org/event-6471313</link>
      <guid>https://generalsemantics.org/event-6471313</guid>
      <dc:creator />
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